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Trills and runs were expertly executed by both singers, who brought out the word-painting of the composer, and sang appropriately in French Latin rather than the Italianate version to which we are more accustomed. This was a very enjoyable performance. The string players were always in touch with the nuances and timing of the singers. The words and their translations were printed, and were marked as to which verses were for soprano, alto, or duo. It was a solemn yet appealing work, with a joyful Amen to finish with. The string players were always in touch with the nuances and timing of the singers. The work features movements of varying tempi and dynamics, concluding with a lovely, lilting pastorale. A most attractive work which is heard reasonably frequently, it is an astonishing composition for someone who died at 26 years of age. Words were clear and well articulated. Some of the duo movements were quite complex, but appeared to hold no fears for the performers. Throughout, pronunciation and enunciation were excellent. The organ and strings were superb, both on their own and as accompaniment to the singers, while the latter blended beautifully and took their cues carefully, as did the players.

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